A History of Christianity, book set

Glittering Illustrations Spanning Three Millennia

It’s a long story…

The Folio Society is renowned for publishing exquisitely crafted editions of fine literature, with an emphasis on beautiful typography and illustration. In 2014, I was a finalist in their prestigious annual illustration competition. Several years later, I jumped at the chance to work with them on the cover artwork for a three-volume set: A History of Christianity by Diarmaid MacCulloch.

Each cloth-bound volume features a cross representing the historical period covered in that particular book. While each cross is stylistically distinct, I drew them with similar proportions and a shared symmetry to balance them as a set. Around each cross I wove a pattern of vines, thorny brambles and palm leaves that were then echoed on the spines and the amalgamated slipcase design.

A History of Christianity Vol 1 | Jamie Clarke Type

A History of Christianity Vol 2 | Jamie Clarke Type

A History of Christianity Vol 3 | Jamie Clarke Type

A History of Christianity Vol1-book | Jamie Clarke Type

A History of Christianity Vol2-book | Jamie Clarke Type

A History of Christianity Vol3-book | Jamie Clarke Type

Image © The Folio Society. A History of Christianity by Diarmaid MacCulloch is available exclusively at foliosociety.com

The subtitle of the book is ‘The First Three Thousand Years’ and each volume features a cross from each millennium. The first volume depicts a Chi Rho, an early Christian monogram, here combined with Alpha and Omega glyphs. The second cover features a double-armed, reliquary cross from c.1180. These hollow crosses were often quite ornate and contained holy relics. The third is a processional cross, inspired by a bronze Ethiopian design from the eighteenth century, and represents the church’s expansion into the New World.

A History of Christianity, Slipcase cover | Jamie Clarke Type

A History of Christianity Spines | Jamie Clarke Type

The three covers are fully bound in cloth, with blocking in two colours on the front. We decided that the set of crosses were strong enough for us to use a different foil on each volume. To ensure there was visual cohesion across the covers I created a grid that each cross could be mapped on to. This grid was then also used to align the elements on the spine and slipcase.