Over a cup of strong tea…
My lettering work naturally gravitates towards a more illustrative approach. I like to surround the text with related imagery or to enclose pictures within words. For this studio project, I chose to explore a design where lettering takes a backseat, allowing the illustrations to become the focus.
I read that tea drinking is in decline in England and, as someone fuelled by tea rather than coffee, I decided to show solidarity with my beverage of choice. I usually drink black tea, however, I discovered that the fruitier blends offered more scope for creativity than my usual English breakfast brews.
When combining illustrations with lettering, I like the imagery to adhere to a simple pattern, usually involving some symmetry. William Morris advised that “structure is a wall against vagueness” and with this in mind, I began by creating an underlying grid layout, over which to position the illustration.
The principles that I normally apply to my type design— rhythm, uniformity, scale and clarity - all play their part. Indeed, most of the imagery for this packaging project was drawn using the same processes and tools as when I'm designing type.
For the Hibiscus and Wild Berry option, my chosen layout allowed me to work four different stages of Hibiscus flower development into the design, from bud to fully open flower.
In my final design, I’ve sought to simplify shapes and to avoid the curls and swirls, or ‘over-abundant embellishments’ as described in Steven Heller’s article, Cult of the squiggly. The lettering follows the classic Roman style but with steep bracketed serifs to emphasise the vertical flow of the designs.
The designs were featured on the excellent blog, TypographHer, in the article, Craftsmanship that would make William Morris proud.
The lettering I drew for the titles inspired my typeface Span which follows the heavy, glyphic serifs, high contrast, and engraved style of the letters.
This is the final design for the Apple & Cranberry option. The cranberry flowers have a beautifully distinct shape which worked well with the limited colour palette.
Original thumbnail sketches exploring various compositions.
My original sketch for the Apple & Cranberry pattern. In the background, you can make out the underlying grid.
More Lettering & Fonts
The Woman In BlackBook Cover
The Paris MysteriesBook Cover
Orvis Brand LetteringBranding
Casino Royale Limited EditionBook Cover
A History of ChristianityBook Cover
Bière du SoirBranding
The Folio Diary 2022Book Cover
Ghost LettersBook Cover
Use my fonts free with an Adobe subsciption or purchase from a reputable foundry partner.
I'd love to hear about your next project, and how I can help.
For occasional updates, subscribe to my newsletter.
© 2023 Jamie Clarke Type LTD and contributors | The Hive, Bristol, BS39 4JJ, United Kingdom